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September 7, 2007

Reagan's "Crazy" Speech Inspired Lessig to Pursue the "Impossible"

 

Mr. Lessig has become the standard-bearer for those who see copyright law as too protective of original creators and too stifling of the artists who follow them. That position has made him the darling of those who want a relatively unfettered Internet, whether it be music sharers or online poem reprinters.

But it has also made him an opponent of many big media companies, including the Walt Disney Company, whose signature creation, Mickey Mouse, would have passed into the public domain years ago if not for a series of well-timed extensions to the law.

. . .

. . . , it might surprise many of Mr. Lessig’s supporters to find that his inspiration for his copyright work was Ronald Reagan.

“I heard George Shultz give a talk in Berlin on the 20th anniversary of Reagan’s ‘tear down this wall’ speech,” Mr. Lessig said. “It was very moving to be at this event. Many of the Germans in the audience were moved to tears. They said that at the time this happened, it was impossible to see this change happening.”

In recalling his thoughts on the possibility of communism falling, he said, “When I heard Reagan’s speech, I remember thinking, ‘boy, he is crazy,’ ” he said.

It is fair to say you can quote him on that.

 

For the full story, see: 

NOAM COHEN.  "LINK BY LINK; Taking the Copyright Fight Into a New Arena."  The New York Times   (Mon., July 2, 2007):  C3.

 

January 22, 2007

Reagan's Resolve

 

In this anecdote from the Bosch book, Reagan's son Ron (who has often been critical of his father) tells of an expedition with his father to collect flagstone for eventual use in building a patio:

(p. 140, footnote 11)  We went out to retrieve a lot of these big heavy stones and load them into a little trailer that would be then hauled behind this ancient old original Jeep.  I mean this was just like the proto-Jeep that he still had, because he'd never throw anything away.  And so we'd, you know, spend a few hours hauling these big heavy rocks and we'd load them into the little trailer.  It's now piled high.  It must weigh tons.  Climb back into the Jeep and head up this slope that's steep.  I mean this is steep.  And on one side you've got a sheer drop to the Santa Ynez Valley, you know, 2,000 feet below, and on the other side a gully full of rocks.  And we're hauling this huge mass of sandstone behind us.  Now this Jeep, this poor thing, it's...it's not going to make it.  And about three-quarters of the way up this steep hill, it starts to give out.  And it's mmm-mmm-mmm, and it becomes apparent that we're not going to crest the hill.  And now we're actually going backwards.  We're not hauling the rocks, the rocks are hauling us.  And I'm ready to get out.  Not him.  He's---handling it.  He's going to back this thing down, by God.  And he does...and we make it down...the rocks haul us back down the hill, but we manage to stay on the road.  Now I'm thinking, well, OK, so now we're going to turn around and go some other way, because there's no way we're going up, we're not going to try that again.  Oh no, no, we're going to go up that hill.  You know, by God, we're going up that hill.  I...it must have taken us three or four tries, of getting almost up the hill and being hauled back down, and each time I'm thinking OK, you know, which way do I jump.  He's cool as a cucumber.  Didn't bother him at all.

 

Source:

Bosch, Adriana. Reagan: An American Story. TV Books Inc., 1998.

(Note:  ellipses in original.)

 

 

January 19, 2007

At Screen Actors Guild, Communists Threatened to Disfigure His Face

ReaganAnAmericanStoryBK.jpg   Source of book image: http://www.shopaim.org/assets/images/large/458i.jpg

 

There are better books on Reagan.  But Bosch's book has a few illuminating anecdotes.  Here is one:

(p. 63)  Reagan first learned about Communists and their intentions as a member of a Hollywood union, the Screen Actors Guild (SAG).  He had been introduced to the Screen actors Guild by his wife Jane Wyman and had quickly risen to become a member of the Guild's board.  As a SAG Board member, and later as its president, he mediated a dispute between two rival unions.  One of the unions, the Conference of Studio Unions (CSU), was led by a suspected Communist, Herb Sorrell.

. . .  

(p. 64)  Sorrell and Reagan went head to head.  When Reagan crossed a picket line outside Warner Brothers, Sorrell called for a boycott of his movies.  Reagan was called a fascist.  An anonymous phone caller threatened to disfigure his face so he could never act again.  He began to carry a gun and accepted police protection.  He became an informant for the FBI 

"These were eye-opening years for me," he later wrote.  "Now I knew form first-hand experience how Communists used lies, deceit, violence, or any other tactic that suited them to advance the cause of Soviet expansionism."

 

Source: 

Bosch, Adriana.  Reagan: An American Story.  TV Books Inc., 1998.

 

November 26, 2006

More Evidence that Reagan Was Much More than a "Genial Idiot"

   Source of book image:  http://ec2.images-amazon.com/images/P/0688146139.01._SS500_SCLZZZZZZZ_V1056466100_.jpg

 

Reagan was smart and disciplined.  That was one of the main messages of Mike Deaver's book.  But in these pages, there is much additional evidence.  See, especially, the essay by Martin Anderson.

Also, Lee Edwards talks about one of his early encounters with the Reagans; he visited their home, and he was especially anxious to see Reagan's library.  He saw a large library with dog-eared, heavily annotated books.  He also mentions quizing the GE manager (CEO?) who used to travel by train with Reagan to visit GE plants.  Edwards asked what Reagan did during the train trips.  The GE manager reported that Reagan devoured books, periodicals, and reports, taking extensive notes on his index cards.

(Sounds like Reagan could have used a computer, and would have made a great blogger?)

 

The reference for the book is: 

Hannaford, Peter, ed. Recollections of Reagan: A Portrait of Ronald Reagan: William Morrow & Company, 1997.

 

July 30, 2006

Beware of a Snapshot of a Moment in Time

  Source of photo:  http://www.nytimes.com/2006/07/27/world/middleeast/27mideast.html?pagewanted=2

 

The photo of Condi Rice touching her forehead ran on the top of the front page of the New York Times on Thurs., July 27, 2006.  It ran big:  filling over a third of the length of the paper, and over half of the width.  It ran right next to the main headline of the front page:  "CEASE-FIRE TALKS STALL AS FIGHTING RAGES ON 2 FRONTS."

It appears that Condi Rice is discouraged, or has a headache, or is overcome. 

But a great CNN report by Jeanne Moos run on Sat., July 29, shows a dynamic version of the minute during which this snapshot was taken.  It shows that this photo is a split-second moment of Condi Rice brushing hair off of her forehead.

Our usual view of competition is to look at how many competitors there are at a moment in time.  We look at a snapshot.  But to really judge competition we must take Schumpeter seriously and look dynamically at whether there is the possibility of leapfrog competition over time.

In an earlier blog entry, I noted that Ronald Reagan resisted sitting for still photos because he thought that still photos could easily be manipulated to mislead.  Ronald Reagan was right.

 

(Jeanne Moos's report was entitled "Hairy Talks or Hair in Eyes?" on the CNN web site.  I believe it first ran on 7/28/06, though I saw it replayed in the afternoon of 7/29/06.)

 

May 31, 2006

Reagan on the Bureau of Indian Affairs

Source of book image:  http://www.amazon.com/gp/product/0060957573/ref=ed_oe_p/104-5180402-9681554?%5Fencoding=UTF8

 

Michael Deaver, longtime aide to Ronald Reagan, has written an interesting memoir that documents that in most important respects, Reagan was his own boss, worked hard, and had a focused intellect.  

He also documents what most grant:  Reagan was a great communicator.  One element in his success as a communicator is illustrated below:

 

(p. 71)  . . . he would often recount a fictitious yarn of a sobbing bureaucrat he encountered at the Bureau of Indian Affairs.  The man was at his desk, crying into his folded arms when Reagan touched him on the shoulder and asked him what was wrong.  "My Indian died, that's what's wrong," came the response.  "What the hell am I supposed to do now?"

 

The citation for Deaver's book is:

Deaver, Michael K.  A Different Drummer:  My Thirty Years with Ronald Reagan.  Reprint ed:  Harper Paperbacks, 2003.

 

May 22, 2006

Static Versus Dynamic Pictures

Schumpeter distinguished the static picture of capitalism in the textbook model, with the dynamic reality captured in the process of creative destruction.   Apparently Ronald Reagan also understood that a dynamic view is better than a static snapshot.   Michael Deaver recounts:

(p. 75) . . . I told him that I noticed his aversion to sitting for photo shoots.  He looked at me surprised.  "That's funny, in all these years, nobody's ever noticed that."   I asked him to elaborate.  "Well, you can never recover from a still shot."

Reagan was most comfortable with moving film, he went on to say.  He truly believed the television camera was a friend, a device that would separate the real from the phony.  Still cameras could always be used to make a candidate look like a fool.  When he explained this to me in the (p. 76) late 1960s, he said, "You know how I sometimes touch my nose before I make a point?  Well, a still shot would show me picking my nose, while a live shot would show me making my point."

 

Source:

Deaver, Michael K.   A Different Drummer:   My Thirty Years with Ronald Reagan.  Reprint ed.  Harper Paperbacks, 2003.

 

March 30, 2006

'Is he not a manly man?'

Twenty-five years ago today, President Ronald Reagan was shot.  Sometimes they say that you only know a person's character when they are sorely tested.   Well, when Ronald Reagan was sorely tested, he engaged in his usual optimistic, self-deprecating banter with those around him.   'Sorry, honey, I forgot to duck' he said to Nancy; and 'I sure hope you're a Republican' to the surgeon.

By his manner, the great communicator communicated that random acts of violence are not what is important in life.

What I remember most from the first couple of days after the shooting was a packed news conference with Reagan's doctors at the hospital.   I remember an Hispanic reporter, in broken English, praising Reagan's joking and then asking Reagan's doctor, 'Is he not a manly man?'   The doctor looked puzzled, and without commenting on the question, moved on.   But I thought it was a good question---with an obvious answer.

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